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Field Notes: Photographing what's not there.
Making the photographs for the 2015 Most Endangered Properities show.
Former site of Fruit Hill School. 2015
Now that the Most Endangered Properties 20th Anniversary Photography Exhibit is now open I can share my contribution and how it was done. This year I took on the task of photographing three sites where the endangered property could not be saved. These are the former sites of the Grove Street school, Fruit Hill school and Providence Fruit and Produce warehouse. Two locations are currently empty lots and the third has some new commercial development. A full history of each site can be found here.
Former site of Grove Street school. 2015
Former site of Fruit and Produce Warehouse. 2015
I took an approach with these locations to layer the current state with what was lost using in camera montage. Each space was photographed on a roll (two rolls) of 35mm film. I chose not to go with just one set point of view, rather I walked the site and recorded what saw and what interested me as I explored the space. I moved from wide views to details, looking for good coverage and nice juxtapositions. The film was then rewound, leaving just the leader exposed and identified by site.
Back in the studio I set up for basic copy photography, mounting the camera on a vertical stand and swapping in a macro lens. I had previously collected vintage images of each site, in the case of the Produce Warehouse I used my own images from the 1990s. I used archive images of the two schools including some vintage postcards. On each site I had about a half dozen different archival images to choose from. I used 5x7 prints of each. I then reloaded the film and cycled through the various images, sometimes altering cropping and exposure.
I then crossed my fingers and processed the film in the darkroom. I easily could have done this digitally but one of the wonderful aspects of shooting film is to open your work up to an element of chance. I always look for ways that I can introduce the "happy accident" or employ a chance operation. There is risk, but in risk their can be reward. Happily I felt I was rewarded here.
HARRY CALLAHAN Providence, ca. 1966 (Shepards)
Astute photo history people no doubt notice that I was inspired in this by the work of the master photographer Harry Callahan. In the 1960s during his tenure as the head of the photo program at RISD he did an amazing series of in camera montages, photographing, most appropriately. in downtown Providence among other places. The image above features the storefront windows of Shepards department store. The Shepards building was one of the very first properties on the MEP list and happily has been saved.
As I was working on deadline, I hedged my bets and shot each site in a more conventional way. It never hurts to have a backup plan. These were also shot on film, this time on 120 format using a Graflex SLR. This type of camera lends itself to a low point of view which seemed appropriate to me for these vacant sites, especially the former school locations.
Former site of Fruit and Produce Warehouse. 2015
Former site of Fruit Hill School. 2015
Former site of Grove Street school. 2015
Bucket Week - Day Five
Confusion and mystery are great motivators.
Archive finds - Pawtucket in the '90s
This week in honor of the city of my residence and my daughter's home town, I will be featuring Pawtucket, Rhode Island, aka the 'Bucket'.
Gas Holder and Apartments, Pawtucket, 1992.
This picture from 1992 has always been among my personal favorites. I was very new to Rhode Island, hadn't even found a job yet and I was living with my girlfriend on Hope street. She had a job in Pawtucket and i would drive her there in the morning and pick her up in the afternoon. I didn't know anything about Pawtucket. I knew one way to get to her workplace. I would go up Hope street, pass my favorite intersection of Ridge and Pidge, pass the Almacs where we shopped. Before the days of wayfinding tools and geolocational support you could get lost. These things are great aids to personal navigation but the feeling of being lost and stumbling upon some place new and unexpected can be a great stimulant for a photographer. I think that always knowing exactly where I am with the help of an app is not the most conducive state of mind if I wish to be receptive to a new place. Confusion and mystery are great motivators. Curiosity is king.
On this day I wasn't entirely lost, but I was exploring. On my way up Hope street there was a little sign shortly after Hope became East Ave. that said 'downtown' with an arrow pointing right. So poor then was my notion of the relationship between spaces I wasn't totally sure what downtown this was. Was there more of Pawtucket that I hadn't seen yet? Did this circle around somehow to downtown Providence? I went right and then down a steep hill.
I came upon two of those great giant trash can like structures that were used to hold natural gas. These things have intrigued me since childhood and these two seemed to be sitting right within a residential neighborhood. On Taft street (was there a Pawtucket connection to our largest President?) I saw the gasometers looming over a house and a row of apartments which sat glowing in the afternoon light. I found my spot, planted the tripod and rushed to focus, afraid somehow that something with fly away. It can be really hard sometimes to slow down and take a good look at the groundglass image. I wanted that truck, I wanted that child's bike on the right, I didn't want the shadows to climb much higher. Quick with the film holder, exposure, flip, exposure and that was that. Couldn't afford to shoot more film but I knew I didn't need to.
I didn't find my way to 'downtown' that afternoon but i'd forgotten that anyway.
Andrew Wertz found this on Shorpy. A Kodachrome from 1941.
Jack Delano, New Bedford, Ma, 1941
Bucket Week - Day Four
Downtown in winter.
This week in honor of the city of my residence and my daughter's home town, I will be featuring Pawtucket, Rhode Island, aka the 'Bucket'.
At Summer St. and North Union, downtown Pawtucket, 1994
Today's pair represents something that I rarely do, which is to say something that I do all the time. That is take multiple, slightly different views at one location. I do that often, what I usually don't do is promote more than one view as the work goes forward. Normally I will make a choice, or feel the choice has been made for me, one is usually clearly the "best", or the best I could do. With these I've continued to like both variants. Although I don't remember I believe they are shown here in the order I made them. I framed up the first and then moved forward for the second. I think the shadows agree with that. There is one thing here that shows something that I do rarely do: photograph snow. My guess is this is late winter. Made with a 4x5 camera on Tri-X film.
At Summer St. and North Union, downtown Pawtucket, 1994
Bucket Week - Day Three
In Oak Grove.
This week in honor of the city of my residence and my daughter's home town, I will be featuring Pawtucket, Rhode Island, aka the 'Bucket'.
Oak Grove Cemetery, 1994
Gates of the Oak Grove Cemetery, 1994
Some people are put off by pictures of cemeteries. Some people are put off by cemeteries in general. Not me. I find they are great places to explore, full of interesting names and fragments of interesting stories. They are usually relaxing places to photograph in as well. No traffic, often no people at all (above ground anyway) so you can mess about with your gear and not feel stressed. There are exceptions. Swan Point in Providence has a strict policy regarding photography and they will chase you out. Hasn't stopped me though, you just need to be quick(ish). In cemeteries within urban environments I find I'm drawn to the ways that the city of the living relates visually to the city of the dead, how the streets line up or how a row of headstones is echoed by a row of houses. This is very likely something else that Walker Evans has taught us to see. These two photographs are almost back to back from each other. I love the detail of the little lamb (a child's grave) in the lower right of the second image. These were made with a 4x5 camera on Tri-X film.
Chimi Trucks on Broad Street
Photographs by Erik Gould, Adrienne Adeyemi and Sothdra Nguon-Devereaux
Audio recordings by Adrienne and Sothdra, audio montage edited by Erik
This photo essay is a collaboration of sorts between myself and two students I worked with while as a mentor at New Urban Arts, an arts based after school program for Providence high school students. Both Sothdra and Adrienne had assisted me on a project I did in partnership with NUA called the Providence Project. This was a neighborhood by neighborhood photo survey of Providence. We talked many times of going to take pictures of the Broad Street food trucks but during the time of the Providence Project we never did it. I so enjoyed doing photography with the two of them that during the summer before they both went on to pursue college careers we did a number of photo outings. Jesse Banks, studio manager at NUA, good friend and NUA alum also joined in. This trip to Broad Street was one of those outings.
On beautiful Providence July evening Jesse, Adrienne, Sothdra and I set out for Broad Street on Providence's South side to visit the Chimi trucks that set up there nightly. These mobile food vendors park along a stretch of Broad Street from Trinity Square to the Cranston line. I have long had an interest in these food trucks, they seem emblematic to me of new Americans making their way in business, working with what they know and what they have, free of corporate franchises. As a photographer I'm always on the look out for the hand-painted sign and the owner-operated business, that's where you the best stuff. We found a lively energy around these trucks and in the various shops up and down the street. People gathered to talk and hang out, guys with flashy cars would come by to show off. Music came from all over.
We talked about the contrast between that energy and the more subdued atmosphere we found in some other city neighborhoods we had photographed, which are really just a few blocks away. That is something else that I notice about Providence: Providence people keep to their own neighborhoods and they often don't know much of what's happening a few streets away. The Chimi truck scene couldn't be more public but I think many people who live in other neighborhoods would have no idea what I mean if I asked "what do you know about La Casa Del Chimi?" Well, I'm no Chimi expert either so that's why we went over to check it out. As for the Chimi sandwich itself, just like the hot dogs at the ballpark, all food tastes better when eaten out of doors on a summer night.
This piece is also an example of another idea: looking at one scene or one event from multiple points of view and with different recording media. Here we have 4 photographers, one with a big 8x10 camera on a tripod, the other's with more mobile cameras and digital audio recordings. These different sources reflect our individual points of view and also explore the ways that different materials produce different renditions of seemingly the same subject. This aspect of documenting the documentation and looking at how the actions of recording can change the event is something I have often examined and is central to much of my recent work. The 8x10 camera always attracts attention and Sothdra and Adrienne quickly became pros and dealing with interested onlookers while I got my pictures. Recording digital audio was originally Adrienne's idea and came out of many such experiences we had with passers by and the humorous, interesting and sometimes crazy remarks we would often get. The audio here captures street noise, conversation, music, and the steady roar of the Chimi truck generators. Inexplicably it also includes me saying the name "Pee Wee Herman." Have a listen.
